#ROADMOVIE KANGMIN MOVIE#
The road movie also reflects upon technology, depicting an ambivalent modernist fusion between (human) driver and (machine) vehicle. Another of the genre's signature means of enhancing the cinematic sensation of driving is an exuberant music track-usually rock and roll, with its back beat propelling the journey. Other important stylistic features include dynamic montage sequences designed to convey the thrill of driving long takes and long shots, expressing an exaggerated traversal of space and time and the framing devices of front and rear windshields, side windows, and side- and rearview mirrors. Positioned inside the car looking out or outside the car-on the hood, alongside in another car, close by in a helicopter-the moving camera helps represent plot-driven motion and also affords the viewer a kinetic sense of being on the road. Whether characters in road movies ramble at a leisurely pace or speed frantically with cops close behind, one of the genre's most compelling aesthetic characteristics is the mobile camera. Highway signs, motels, diners, and gas stations also recur for various plot twists. Related visual motifs are vast, open landscapes and expansive, seductive horizon lines. It also tends to rely upon the iconography of interstate highways and border crossings. The genre prefers cars or motorcycles at the center of the action (though travel by train, bus, or simply walking are not uncommon). Yet certain consistent features can be identified among them. ICONOGRAPHY, STYLE, AND THEMESįilmmakers from all over the cinematic map have been drawn to the road movie: low-budget independent, mainstream Hollywood, experimental, documentary, gay, feminist, and most national cinemas. Road movies celebrate journeys rather than destinations. With their reflexive focus on the interplay between automobile and camera technology, road movies mobilize a dynamic cinematic spectacle of movement and speed. Road movies feature characters on the move, often outsiders who cross geographic borders but also transgress moral boundaries. More direct and recent literary influences are John Steinbeck (1902–1968) and Jack Kerouac (1922–1969). Exploring the very theme of exploration, the road movie reinvents the classic literary journey narrative, drawing inspiration from Homer's Odyssey, the wanderings of biblical prophets, and the epic travels of Miguel de Cervantes (1547–1616), Mark Twain (1835–1910), and Walt Whitman (1819–1892). The road movie is a unique yet essential genre of American cinema, dramatizing a fascination with mobility. Elements of the road movie appeared in classical-era films, but the term first circulated to describe a group of New American films of the late 1960s and early 1970s that were very much about being "on the road." Appropriately enough, the genre since then has traveled in many directions. Likewise, many narrative films follow characters from place to place. The term "road movie" is a loose one because almost any film, narrative or otherwise, can be interpreted as a journey.
Road Movies ICONOGRAPHY, STYLE, AND THEMESįROM CLASSICAL HOLLYWOOD TO COUNTERCULTURE
0 kommentar(er)
